I'm going to give my
very honest opinion of the film early on in the review: it was weird. It was weird, and, quite frankly, nowhere near as amazing as it has been portrayed to be. Another case of
Don't Believe The Hype.
Directed by
Steve McQueen, British artist and winner of the 1999 Turner Prize, Shame is a little bit of a let down. It's no doubt intense, and incredibly expressive, letting us in to the realm of male sex addiction. But it seems the plot follows no real story, as far as I'm aware. Things happen, of course, but I don't think that's really enough to create a 95 minute film about. All the reviews I read before watching it mentioned different aspects of the film to be the main plot: it was either 'A story of a damaged sibling relationship', or 'A story of a successful male sex addict'. Unless McQueen's intention was for it to be another of his video art installations, in extended form? It's kind of like he's got a bit confused - he's not sure what angle he wanted to approach the film from, so went with both the arty angle, and the Hollywood blockbuster angle - at the end of the day, we all know that sex sells.
The
'story' is about a good looking successful guy called Brandon (played by
Michael Fassbender), who is lives a comfortable life in his minimalist, black and white Manhattan apartment and is addicted to sleeping with people - anyone. His life would seem pretty attractive to most guys who have watched the film, probably, but slowly
(sometimes really slowly) we see the downside of his fantasy lifestyle emerging. His inability to maintain a conversation with one of his female colleagues over dinner, and (like with any addiction) his constant need to satisfy his needs. The acting is really good, totally convincing, and I can't even imagine how awkward it must have been to get a few of those scenes on film. It's just how it's all put together and the kind of characters that McQueen chose for the film that I think let it down.
Unlike his boss, who is a "charming philanderer when not being a responsible family man", Brandon hardly has to try to pick up any woman. He is a natural. His attitude to picking up women is"curiously obsessive, lacking in joy." His sissy, Sissy (played by
Carey Mulligan), is a totally unstable character, in that she drifts from place to place, naively wearing her heart on her sleeve, and relies on her brother to put her up for a while as she tries to pursue her dream to be a singer. You can tell from the start that having Sissy around is not good for Brandon, and is going to escalate to an intense argument between the sibling, presumably filled with sexual tension between them, as their relationship hints at having some sort of incestuous past. They seem to always be catching each other naked, and, apparently, she drops a hint at the end suggesting something may have happened between them in the past. I say
'apparently' as I didn't catch it at all.
The film consists almost entirely of scenes with his sister (fighting or shouting at each other), awkward scenes with his female colleague, and a few scenes with other random people he is trying to sleep with. The lack of narrative didn't make me very willing to follow it, as I kept getting distracted with other things, like
this, for example. I hear you thinking "Well, that's probably why you didn't enjoy the film - because you weren't concentrating", but before you say it out loud, think why I wasn't concentrating.
Hint: start reading this review again.